Dutch National Ballet’s Next Phase: A Conversation With Ted Brandsen and Ernst Meisner

By Steve Sucato for Pointe Magazine This is an exciting era for Dutch National Ballet. Led by longtime artistic director Ted Brandsen, the company tours to New York City this month—the first time in 40 years—bringing its star dancers and showcasing the company’s growth during his tenure. The performances, November 20–22 at New York City Center, will feature two programs with works by Brandsen, Hans van Manen, Alexei … Continue reading Dutch National Ballet’s Next Phase: A Conversation With Ted Brandsen and Ernst Meisner

The Game is On [REVIEW]

PerformanceGrand Rapids Ballet: “Diablo Rojo” by James Sofranko, “While Away“ by Jennifer Archibald, “Sherlock” by Penny Saunders PlacePeter Martin Wege Theatre, Grand Rapids, Michigan, October 24, 2025 WordsSteve Sucato for Fjord Review Move over, Matthew Bourne, there is a new voice in theatrical dance plays. Choreographer Penny Saunders’ bespoke production of “Sherlock,” performed by Grand Rapids Ballet, was not only a triumph in bringing literature’s favorite … Continue reading The Game is On [REVIEW]

Invisible Wounds [REVIEW]

Performance Wanjiru Kamuyu/WKcollective: “Fragmented Shadows” by Wanjiru Kamuyu in collaboration with Sherwood Chen and Elodie Paul Place Wexner Center, Columbus, Ohio, October 22, 2025 Words Steve Sucato for Fjord Review It was apropos that I attended choreographer Wanjiru Kamuyu’s latest work, “Fragmented Shadows,” just before Halloween. In many ways, the work felt like watching a horror movie—the dancers’ often contorted bodies and facial features looked as … Continue reading Invisible Wounds [REVIEW]