BEST OF 2025 

By Steve Sucato 2025 was a year of experimentation for me as a professional dance writer/reviewer. I launched a monthly Airings digest on my website, artsair.art, featuring select dance news, performance impressions, and upcoming event listings, and expanded my arts coverage to include more non-dance events. So, why not end the year with one more experiment, compiling best-of-2025 lists from the dance productions and dancer … Continue reading BEST OF 2025 

The Game is On [REVIEW]

PerformanceGrand Rapids Ballet: “Diablo Rojo” by James Sofranko, “While Away“ by Jennifer Archibald, “Sherlock” by Penny Saunders PlacePeter Martin Wege Theatre, Grand Rapids, Michigan, October 24, 2025 WordsSteve Sucato for Fjord Review Move over, Matthew Bourne, there is a new voice in theatrical dance plays. Choreographer Penny Saunders’ bespoke production of “Sherlock,” performed by Grand Rapids Ballet, was not only a triumph in bringing literature’s favorite … Continue reading The Game is On [REVIEW]

Invisible Wounds [REVIEW]

Performance Wanjiru Kamuyu/WKcollective: “Fragmented Shadows” by Wanjiru Kamuyu in collaboration with Sherwood Chen and Elodie Paul Place Wexner Center, Columbus, Ohio, October 22, 2025 Words Steve Sucato for Fjord Review It was apropos that I attended choreographer Wanjiru Kamuyu’s latest work, “Fragmented Shadows,” just before Halloween. In many ways, the work felt like watching a horror movie—the dancers’ often contorted bodies and facial features looked as … Continue reading Invisible Wounds [REVIEW]