Inlet’s 9th Annual Big Bash Fundraiser Is Set For November 7

By Erin Leigh Join the celebration at The Estuary at Pivot Center on November 7, 2025, and help Inlet Dance Theatre continue to impact the Northeast Ohio community with transformative art! Big Bash 2025 promises to be a fun and heartwarming event that celebrates Inlet’s past, shares our current artistic and educational impact, and helps invest in our organization’s future. Inlet honors Erin Cameron Miller, … Continue reading Inlet’s 9th Annual Big Bash Fundraiser Is Set For November 7

Cleveland Ballet’s Anna Cole Talks About Her Career And The Return Of ‘Dracula’ To Open The New Dance Season [PREVIEW]

By Steve Sucato Cleveland Ballet once again opens its new dance season with the Halloween thriller Dracula. Choreographer Lynne Taylor-Corbett’s one-act ballet, created in 2010, is back by popular demand to send hearts racing and chills down spines. The ballet adaptation of author Bram Stoker’s gothic horror novel will be paired with another of Corbett’s ballets, 2008’s Code of Silence, about the tortured souls of … Continue reading Cleveland Ballet’s Anna Cole Talks About Her Career And The Return Of ‘Dracula’ To Open The New Dance Season [PREVIEW]

MOMIX’s Trippy ‘ALICE’ Feeds Audiences’ Heads With Wonder [REVIEW]

MOMIX – ALICEMimi Ohio Theatre at Playhouse SquareCleveland, OHOctober 11, 2025 (2 & 7:30 pm)By Steve Sucato Using Lewis Carroll’s famous 1865 novel “Alice’s Adventures in Wonderland” as a jumping-off point, MOMIX founder Moses Pendleton’s dance version of the iconic tale appeared to follow more of the hallucinogenic inferences in Jefferson Airplane’s 1967 song “White Rabbit” along with the surrealism of Salvador Dali’s 1969 Illustrations … Continue reading MOMIX’s Trippy ‘ALICE’ Feeds Audiences’ Heads With Wonder [REVIEW]

Hometown Heroes Martha Graham and Kyle Abraham’s Troupes Highlight Pittsburgh Dance Council’s 55th Season [PREVIEW]

By Steve Sucato Celebrating its 55th season, the Pittsburgh Dance Council Series this year features notable classical and contemporary dance companies from the United Kingdom, France, and the United States, including A.I.M. by Kyle Abraham, and the nation’s oldest dance company, the Martha Graham Dance Company. In selecting the dance companies that comprise this 55th season, presented by the Pittsburgh Cultural Trust at the Byham … Continue reading Hometown Heroes Martha Graham and Kyle Abraham’s Troupes Highlight Pittsburgh Dance Council’s 55th Season [PREVIEW]

Airings: August 2025

A monthly digest of select dance news and performance impressions, primarily from the regions I cover in Ohio, and parts of Michigan, New York, and Pennsylvania. By Steve Sucato [NEWS AND NOTES] Michigan Arts Funding is at Risk — We Need Your VoiceThe Michigan House of Representatives has passed a budget that eliminates all arts and cultural funding. This isn’t just about numbers on a … Continue reading Airings: August 2025

Dominic Moore-Dunson Awarded Career-Altering Resident Artist Fellowship at Philadelphia’s Wilma Theater [INTERVIEW]

By Steve Sucato The Stage Directors and Choreographers Foundation (SDCF) announced today, August 27, 2025, the selection of Akron-based dancer/choreographer Dominic Moore-Dunson as its 2025 Lloyd Richards New Futures Resident Artist.  Moore-Dunson is an award-winning choreographer, professional dancer, producer, teaching artist, and speaker. He was a company member of Cleveland’s Inlet Dance Theatre and is the co-owner of MooreDunson Co. His previous accolades include receiving … Continue reading Dominic Moore-Dunson Awarded Career-Altering Resident Artist Fellowship at Philadelphia’s Wilma Theater [INTERVIEW]

Airings: July 2025

A monthly digest of select dance news and performance impressions, primarily from the regions I cover in Ohio, and parts of Michigan, New York, and Pennsylvania. By Steve Sucato [NEWS AND NOTES] Ohio Contemporary Ballet welcomes three new dancers for the 2025-26 season. They are Dallas-native Joseph Dang, who was with Sacramento Ballet, Sophia Gray, who grew up in Cincinnati and recently graduated from The … Continue reading Airings: July 2025

The Movement Project’s ‘SummerWorks 2025’ to Showcase the Company’s Commitment to Education and Entertainment [PREVIEW]

By Steve Sucato Continuing to build ties with the Akron community through educational and entertainment programming, The Movement Project (TMP) will present two performances of its SummerWorks series dance concerts on Saturday, August 2, at The University of Akron’s Sandefur Theatre.   Entering its 16th season, the Cleveland-based modern/contemporary dance company will present a mix of new and older works from the company’s repertory, along with … Continue reading The Movement Project’s ‘SummerWorks 2025’ to Showcase the Company’s Commitment to Education and Entertainment [PREVIEW]

Inlet’s Summer Dance Offerings Look Back on the Company’s Repertoire History While Giving a Nod to the Future [PREVIEW]

By Steve Sucato Entering the penultimate season before its 25th Anniversary, Cleveland’s Inlet Dance Theatre is already looking back on its repertoire history this summer in its annual performances at Cleveland Heights’ Cain Park and at the Heinz Poll Summer Dance Festival in Akron.  But this summer’s offerings are not all a trip down memory lane. Thanks to Inlet’s annual Summer Dance Intensive, there will … Continue reading Inlet’s Summer Dance Offerings Look Back on the Company’s Repertoire History While Giving a Nod to the Future [PREVIEW]

Mostly Marvelous Malpaso Delights at Chautauqua Institution [REVIEW]

Malpaso Dance CompanyChautauqua InstitutionChautauqua, NYJuly 9, 2025 By Steve Sucato Arguably Cuba’s best-known contemporary dance export in the United States, Malpaso Dance Company, returned to the Chautauqua Institution for its first mainstage Amphitheater performance on July 9, which featured a triple bill of repertory works.  The 9-member troupe opened its performance to a partially filled Amphitheater audience with New York City-based b-girl Ephrat Asherie’s “Floor… … Continue reading Mostly Marvelous Malpaso Delights at Chautauqua Institution [REVIEW]