Cleveland Ballet’s New ‘Cinderella’ is a Fresh Take on the Classic Tale [PREVIEW]

By Steve Sucato  As a ballet, the first documented versions of Cinderella date back to 1813, but most modern productions are based on Charles Perrault’s 1697 book, “Cinderella, or The Little Glass Slipper,” and the 1940s Bolshoi Theatre’s ballet production with a libretto by Nikolai Volkov, music by Sergei Prokofiev, and choreography by Rostislav Zakharov, with a comedic handling of the stepsisters’ characters popularized by … Continue reading Cleveland Ballet’s New ‘Cinderella’ is a Fresh Take on the Classic Tale [PREVIEW]

Alejandro Cerrudo, Charlotte Ballet’s New Artistic Director, Talks About His Vision for the Company

By Steve Sucato for Pointe Magazine Each step along Alejandro Cerrudo’s 24-year career, he’s planted the seeds for his next area of growth in the dance field. Born in Madrid, he first became a dancer, then a choreographer and, most recently, the producer of his own dance projects. Now, the 41-year-old is taking his next step, as Charlotte Ballet’s new artistic director. On April 7, the company … Continue reading Alejandro Cerrudo, Charlotte Ballet’s New Artistic Director, Talks About His Vision for the Company

Charlotte Ballet: Celebrating 50 years / Stuart, Pite, Caniparoli, Aiello [REVIEW]

Reviewed by Steve Sucato Charlotte Ballet’s 50th Anniversary Celebration program, delayed from 2020 because of the global pandemic, was worth the wait. The final production for outgoing artistic director Hope Muir (now artistic director at the National Ballet of Canada), the program cast a wide net in terms of audience tastes, with four topflight works that not only celebrated the company’s past, but also how … Continue reading Charlotte Ballet: Celebrating 50 years / Stuart, Pite, Caniparoli, Aiello [REVIEW]