The Game is On [REVIEW]

PerformanceGrand Rapids Ballet: “Diablo Rojo” by James Sofranko, “While Away“ by Jennifer Archibald, “Sherlock” by Penny Saunders PlacePeter Martin Wege Theatre, Grand Rapids, Michigan, October 24, 2025 WordsSteve Sucato for Fjord Review Move over, Matthew Bourne, there is a new voice in theatrical dance plays. Choreographer Penny Saunders’ bespoke production of “Sherlock,” performed by Grand Rapids Ballet, was not only a triumph in bringing literature’s favorite … Continue reading The Game is On [REVIEW]

Invisible Wounds [REVIEW]

Performance Wanjiru Kamuyu/WKcollective: “Fragmented Shadows” by Wanjiru Kamuyu in collaboration with Sherwood Chen and Elodie Paul Place Wexner Center, Columbus, Ohio, October 22, 2025 Words Steve Sucato for Fjord Review It was apropos that I attended choreographer Wanjiru Kamuyu’s latest work, “Fragmented Shadows,” just before Halloween. In many ways, the work felt like watching a horror movie—the dancers’ often contorted bodies and facial features looked as … Continue reading Invisible Wounds [REVIEW]

Ultimate Release [REVIEW]

Performance“Songs of the Bulbul” by Rani Khanam PlaceByham Theater, Pittsburgh, PA, October 11, 2025 WordsSteven Sucato for Fjord Review Perhaps not since Mikhail Fokine’s 1905 iconic “The Dying Swan” has there been as haunting a solo dance depiction of avian death as Aakash Odedra Company’s “Songs of the Bulbul” (2024). The 50-minute piece, inspired by the ancient Sufi myth of a bulbul (nightingale) held in captivity … Continue reading Ultimate Release [REVIEW]