After retooling her career, Beth Corning returns with a new solo dance work

By Steve Sucato If necessity is the mother of invention, perhaps change is the mother of reinvention. Such was the case for Beth Corning. After a string of life-changing events, including the death of her mother, the dancer and choreographer set about reinventing herself as an artist. Corning is a veteran dance creator and performer with an international résumé, including several years leading Pittsburgh’s Dance … Continue reading After retooling her career, Beth Corning returns with a new solo dance work

Pittsburgh Ballet Theatre School’s pre-professional showcase glimpses ballet’s next wave of dancer talent

By Steve Sucato While Pittsburgh Ballet Theatre is one of the nation’s top ballet companies, its school also has a reputation for turning out top talent. The school draws dancers from around the world to hone their skills in preparation for a professional career. A highlight of that training is the annual Pre-Professional Showcase, May 17-19 at Point Park University’s George Rowland White Performance Studio. … Continue reading Pittsburgh Ballet Theatre School’s pre-professional showcase glimpses ballet’s next wave of dancer talent

Dance giant Mark Morris brings his dancers — and musicians — to Pittsburgh’s Byham Theater

By Steve Sucato I first met celebrated choreographer Mark Morris in 2002, on a tour of his state-of-the-art Brooklyn, N.Y. Dance Center with a dozen fellow dance critics. As we were being led into the main studio where Morris was rehearsing his Mark Morris Dance Group, he stopped us and sternly directed us to take our shoes off and quietly seat ourselves along one wall … Continue reading Dance giant Mark Morris brings his dancers — and musicians — to Pittsburgh’s Byham Theater

World Premiere of ‘Mash Up Body’ takes a sampling approach to dance

By Steve Sucato For her latest dance work, Mash Up Body, Philadelphia-based choreographer Kate Watson-Wallace took a page from the contemporary-music playbook. Watson-Wallace worked with the processes of sampling, remixing and layering ideas and materials to create a 45-minute multimedia performance installation. Her troupe, anonymous bodies, will premiere the show April 5 and 6 at the Alloy Studios. “It’s a meditation on identity and presentation,” says … Continue reading World Premiere of ‘Mash Up Body’ takes a sampling approach to dance

Russian National Ballet dances a pleasing Swan Lake

Reviewed by Steve Sucato A production of “Swan Lake” without its lovers’ tragic end? It appeared so Tuesday as Elena Radchenko’s Russian National Ballet Theatre performed its version of the ballet classic at the University at Buffalo’s Center for the Arts. The enchanted story of maidens under the spell of the evil sorcerer Von Rothbart who take the form of swans during the day and … Continue reading Russian National Ballet dances a pleasing Swan Lake

Socks, Boots & Cheese

By Steve Sucato The American Dairy Association may have been onto something in its ads touting “the power of cheese.” Anecdotal reports of increased creativity by Texture Contemporary Ballet’s dancers and choreographers from eating cheese led to the tongue-in-cheek title of their latest program, There’s Something About Fontina. The troupe presents the mixed-repertory program featuring six premiere works April 3-5 at the New Hazlett Theater. Among … Continue reading Socks, Boots & Cheese

Dancing Pixels: Gia T. Presents explore The Frequency of Structure and Flow

By Steve Sucato Gia Cacalano and troupe return to Wood Street Galleries with the latest Gia T. Presents production, The Frequency of Structure and Flow. The 75-minute work, like 2012’s sold-out Blink, is a collaboration between Cacalano’s international troupe of dancers and musicians and an exhibit at the gallery. The Frequency of Structure and Flow responds to Paris-based technological artist Miguel Chevalier’s digital-media work “The Origin of the World,” part of his exhibition Power Pixels 2013. CP critic Robert Raczka described “The … Continue reading Dancing Pixels: Gia T. Presents explore The Frequency of Structure and Flow

AIRINGS: Mini Reviews of Conservatory Dance Company’s ‘The Jazz Nutcracker’, ‘A Son is Given: An Urban Ballet’ and Columbus Dance Theatre’s ‘Cleopatra’

By Steve Sucato Conservatory Dance Company – The Jazz Nutcracker Pittsburgh Playhouse Pittsburgh, PA December 9, 2012 Perhaps no ballet in history has seen more different incarnations than The Nutcracker. From traditional productions after Marius Petipa’s 1892 original to those far from traditional like Maurice Bejart’s pseudo-sexual 2000 production and Mark Morris’ The Hard Nut and everywhere in between, each holiday season brings with it … Continue reading AIRINGS: Mini Reviews of Conservatory Dance Company’s ‘The Jazz Nutcracker’, ‘A Son is Given: An Urban Ballet’ and Columbus Dance Theatre’s ‘Cleopatra’

Culture Clash

By Steve Sucato Was modern-dance pioneer Ruth St. Denis a racist? St. Denis (1880–1968) introduced Eastern culture into Western dance. For her famous “Oriental” dances of the early 1900s, she donned makeup to change the color of her skin a la Al Jolson, and costumed herself based on museum photographs. In his latest dance work, Ruth Doesn’t Live Here Anymore, Santa Monica-based dancer/choreographer Lionel Popkin uses St. Denis’ … Continue reading Culture Clash